LAB INTERIOR. THE SOUND OF A DOT MATRIX PRINTER.
COOL JAZZ PLAYS EXEGETICALLY.
THE FUMBLING OF PAPER
A VOICE BEGINS READING OUT THE CONTENTS OF A LETTER, BEGINNING WITH
JOHN WELLES: Dear John

I've been poring over this for a captivation. It feels a slight - scurf prominent, sending this -


...JOHN'S VOICE FADES OUT AS WE BEGIN TO HEAR THE VOICE OF THE WRITER OF THIS LETTER,
it's like a spliff on the doorway from particular - by - special in a hi - vis vest covered in insignia you do n't charge up.

WENDY: I've rewritten this inebriate chance variable 29 times.

Each passementerie feels a MO unlike, like repeating the standardised activity in a changing military man can give dissembling. If non by the natural spring - off of repeated causa, and then by the elbow room that shift key in servant can change things all, how a Grey can bear colored on a pneumatic caisson backcloth, and promising on a mastered ACE.

This alphabetic character is like me, starting unmediated and gratis - spoken and becoming shifting and intricate. Like looking out at the sundial that is in your garden to parent it has become a water supply clock, and then a mechanically skillful gramps clock, and so some uppity Salvador Dali cut. It still tells the condemnation, but in more and more broken ways. The Salvador Dali clock seems uninterested in telling you that you are by and by for your hebdomadal Zoom conflux. It might pick out you that it is raging dogs o'clock, if that helps?

and so that is my looking - abhorrence at present. condemnation is a pattern, thence I am ahead - looking - for - naught if I seem a ticklish distrait.

Yours lento



Wendy


MUSIC BUILDS AS AN ORGAN PLAYS AND A GUITAR SOLO BEGINS

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Neutrinowatch is generated daily, so this text will change every day. This version was generated on Monday, 30 June 2025, at 02:06 UTC/GMT