This abc file is used to generate the MIDI files and pdf file for volume 2
of the music collection used by the Ottawa Slow (Celtic) Jam.
The file is derived from 
http://www.ceolas.org/pub/tunes/abc.tunes/sessionTunes.abc
see http://www.ceolas.org/tunes/ under the heading "Collections".
John Walsh is the originator of this collection.

I have added guitar chord accompaniment to many of the tunes and fixed
some minor transition problems with repeats. I have also maintained
the original format and page numbering. With a few exceptions there
are no tempo markings. (They were introduced for a couple of tunes
to ensure that the output MIDI file would play slowly. You can
remove these tempo indications by searching for 1/4=60 and
deleting that line.) Since these changes are fairly minor, you
can still continue using the first version 1.1 which was
typeset by Michael Lohr in 1994.

To generate the MIDI files you need the abcMIDI package and preferably the
program runabc, which you can find on my web site
http://ifdo.ca/~seymour/runabc/top.html
or on sourceforge
http://sourceforge.net/projects/abc/files/

The pdf file was generated using Jef Moine's program abcm2ps which
can be found on his web page
http://moinejf.free.fr/

The program produces a PostScript file called Out.ps which can
be viewed either Ghostview, Acrobat, or Sumatra PDF. The latter
program was used to convert the PostScript file into a PDF file.





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%%header  Volume II Background
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%%%footer "Ottawa Celtic Slow Jam (John Walsh Book 1 volume 2) - 2013/07 edition"

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%%center Ottawa Celtic Slow Jam Tune Book Volume II
%%center (adapted by the Carp Celtic Jam)
%%vskip 2cm
%%textfont Helvetica 16
%%center Version 1.4
%%center updated July 08, 2013
%%vskip 8cm
%%%%textfont Helvetica 14
%%center CCJ Tune Book can be downloaded from:
%%center i.  Carp Celtic Jam Facebook Group page
%%center ii. http://www3.sympatico.ca/hhtuner/carp/
%%vskip 1cm

%%newpage
%%textfont Helvetica 18
%%center *************************** INTRODUCTION ****************************
%%textoption 1
%%begintext 
This file contains a number of well-known Irish jigs, reels,
hornpipes, and polkas, written out in Chris Walshaw's abc notation. To
print them out, first process the file with the program abc2mtex,
which will convert it to a Music TeX file, and then run that file
through Music TeX. See the abc2mtex documentation for an explanation
of the notation. Both abc2mtex and Music TeX are available for anonymous
ftp on the archive celtic.stanford.edu. 

Like any folk music, these tunes change with time. There may be
quite different versions of some of them floating around. I have tried
to give settings which are close to what I hear played. A few tunes
are transcribed from particular performances, one or two others are
taken from books--both of these are indicated on the tune notes--but the
majority are set about as I have heard them played. 

Quite a lot is left to the player. The settings are basic: the only
decorations indicated explicitly are rolls, triplets and quadruplets;
first and second endings are only written out when they are
substantially different. Apart from the fact that most players don't
need to be told when and where to put in a grace note, a lot of gracings
are done differently on different instruments: carefully-written-out
fiddle decorations can be a distraction to someone playing the tune on a
flute. Since the decorations are only indicated generically, not in
detail, the tunes should be playable on any of the usual instruments.
(Well..I have only checked them out on the whistle and pipes.) If some
of the details of the settings turn out to be awkward on a particular
instrument, just adapt the tune to fit--most players automatically
modify a tune slightly in order to make it fit the fingers, or to take
advantage of some particular effect on their instrument. (There are a
couple of obvious cases, where, for instance, the range is beyond the
range of the pipes, whistle, and flute. It is up to the individual to
modify the setting--i.e. to fake it--if they want to play it.) 

One thing bears noting: I have written the hornpipes out in
straight eighth notes, but they are usually played with alternating
dotted and cut notes: i.e. what I have written as "eighth, eighth,
eighth, eighth" is often played more like "dotted eighth, sixteenth,
dotted eighth, sixteenth." The amount of emphasis is a matter of
style, so some books write out the dotted notes, others don't. I opted
for the easiest path, and wrote them out in straight eighths. 
 
Thanks to Dan Beimborn and Seamus Keleher for suggesting
many of these tunes. (Cryptic notations such as Z:Boston just indicate
that the tune is commonly played in sessions there.  But in fact, most of
these tunes will be played in sessions all over.)

I make apologies in advance for the typos which have surely
escaped my proof-reading. Please let me know about any obvious errors,
or any settings which seem too much at variance with what is played in
your own area. 

When I knew the composer of a tune, I indicated it, but I only knew
the composers of a couple of the tunes. If any others have known
composers, I would appreciate hearing about it. As far as I know, the
remainder of the tunes are public domain. The copyright below does not
cover the tunes themselves, just the arrangements and the code in this
file. 
	
Tune 35 is from Bulmer and Sharpley' book; tune 15 from Ceol
Rince na hEireann, tune 49 from Leo Rowsome's tutor, tune 4 from
O'Neill's. The remainder of this file is copyright by John B. Walsh,
January, 1994. It may be freely used, copied and distributed, as long as
this notice is included with the copy. It may not be sold, or used to
make hard copies for sale, without express permission of the author.
 
%%endtext

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%%newpage 52

%************************* DOUBLE JIGS *********************************
%%scale 0.70


X: 158
T:Blarney Pilgrim, The
N: page 52
N: hexatonic
N: matches 14
M:6/8
R:jig
K:G
"G"~D3 DEG|"D"A3 z2 c|"G"BAG "C"AGE|"G"GEA "D"GED|"G"~D3 DEG|\
"D"A3 z2 c |"G"BAG AGE|"D"GED D2z::
"G"ded "Em"dBG|"D/Am"AGA "G/B7"BGE|"Em"ded "Bm"dBG|"D/C"ABA "G"GBd|\
"Em"g2e "Bm"dBG|"D/C"AGA "G"BGD|"Em"~B3 AGE|"D/A" ~G3 G2 z::
"D/Am"ADD "G/Bm"BDD|"D/C"A2D "D"ABc|"G/Em"BAG "C/A7"AGE|\
"D"GEA "C"GED|"D"ADD BDD|"D/C"A2D "D"ABc|"G/Em"BAG "C/A7"AGE|"D" GED D2 z:| 


X: 159
T:Scatter the Mud (The Maid of Tranmore)
N: page 52
N: hexatonic
N:anon.
N:Ireland
S:Based on various versions posted on Internet, mainly a transcription by John Walsh
R:Jig
M:6/8
L:1/8
K:Ador
"Am"eAA "G"BAA|"Am"eAA "Em"ABd|"Am"eAA BAB|"G"dBG GBd|\
"Am"eAA BAA|"Am"eAA AGE|"Em"GAB d2e|"G"dBA "Am"A3:|
|:"Am"aba "G"g2e|"G"dBG GBd|"Am"aba "Em"g2e|"G"dBd e3|\
"Am"aba "G"g2e|"G"dBG AGE|"Em"GAB d2e|"G"dBA "Am"A3:|


X: 160
T:Tripping Up the Stairs
N: page 52
N: heptatonic
N: matches 28
Z:Madison
M:6/8
R:jig
K:D
A|"D"FAA "G" GBB|"D"Add fed|"A"cBc ABc|"D"dfe "A"d2A|\
  "D"FAA "G" GBB|"D"Add fed|"A"cBc ABc|"G" dfe d2:|
c|"Bm"dBB fBB   |fgf fed   |"A"cAA eAA|efe edc|\
  "Bm"dBB fBB   |fgf fed   |"A"cBc ABc|"G"dfe "D" d2:|


X: 161
T:Kesh Jig, The (Kerrigan's Jig)
N: page 52
N: hexatonic
N: matches 1
M:6/8
Z:Boston  It is _very_ widely played.
R:jig
K:G
D|"G"~G3 GAB|"D7"ABA ABd|"G"edd gdd|"D7"edB dBA|\
  "G"~G3 GAB|"Am"ABA "D7" ABd|"G"edd gdB|"D7"AGF "G"G2:|
A|"G"~B3 dBd|"C"ege "G"dBG|"G"~B3 dBG|"Am"ABA "D7"AGA|\
  "G"BAB dBd|"C"ege "G"dBd|"C"gfg aga|"D7" bgf "G" g2:|


X: 162
T:Saddle The Pony
N: page 52
N: hexatonic
R: Jig
S:Trad, arr Phil Rowe
M:6/8
K:G
D|"G"GBA G2B|"D7"def "G"gdB|GBA G2B|"D7"AFD AFD|\
"G"GBA G2B|"D7"def "Em"gfg|"C"edB "D7"dBA|"G"BGG G2::
d|"Em"efe edB|"D"def "G"gfg|"Em"efe edB|"Bm"dBA ABd|\
"Em"efe edB|"D"def "G"gfg|"C"edB "D7"dBA|"G"BGG G2:|


X: 163
T:Whelan's Fancy
N: page 53
N: hexatonic
M:6/8
Z:Boston
Z:A rolling version of Morrison's
R:jig
K:Edor
"Em"~E3 BAF|FEB "D"AFD|"Em"~E3 ~B3|"D"dcB AFD|\
"Em"~E3 BAF|FEB "D"AFA|"G"BdB "D"BAB|"G"dAG "D"FED:|
"Em"~B3 ~e3|fed efe|~B3 "D"g2 e|fed BAF|\
"Em"~B3 e2 g|fed e2 f|gbg faf|"D"edB AFD:|


X: 164
T:Morrison's Jig
N: page 53
N: hexatonic
N: matches 18
M:6/8
R:Jig
A:Ireland
K:Edor
|"Em"~E3 BEB|EBE "D"AFD|"Em"~E3 BEB|"D"dcB AFD|\
"Em"~E3 BEB|EBE "D"AFD|"G"~G3 "D"FGA|"G"BAG "D"FED:|
"Em"Bee fee|aee fed|Bee fee|"D"fag fed|\
"Em"Bee fee|aee fed|"G"gfe d2A|BAG "D"FED|
"Em"Bee fee|aee fed|Bee fee|"D"faf def|\
"G"~g3 gfe|"D"def "G"g2 d|edc "D"d2 A|"G"BAG "D"FED||


X: 165
T:The Connaughtman's Rambles
N: page 53
N: hexatonic
N: matches 22
M:6/8
R:jig
A:Ireland
K:Bmin
A/G/|"D"FAA dAA|"G"BAB "D"dAG|FAA dfe|\
"Bm"dBB BAG|"D"FAA dAA|
"G"BAB "D"def|"Em"gfe dfe|"Bm"dBB B2::\
e|"D"fbb faa|fef d2e|
fbb faa|fed "A"ede|"D"fbb afe|\
fef def|"Em"gfe dfe|"Bm"dBB B2:|


X: 166
T:The Clare Jig ( Mug of Brown Ale )
T:The Mug of Brown Ale
N: page 53
N: hexatonic
N: matches 5
R: Jig
M:6/8
L:1/8
K:Ador
gf|"Am"eAA fAA|gfg age|"G"dBA G3|BGB dBd|\
"Am"eAA fAA|gfg age|"G"dBd gdB|"Am"ABA A2:|
"Am"efg a3|aba age|"G"dBd g3|bag fed|\
"Am"efg a3|aba age|"G"dBd gdB|"Am"ABA A2 z|
efg a3| aba age|"G"dBd g3|gba ged|\
"Am"efg a2 b|c'2 b age|"G"dBg dBG|"Am"EAA A2||
%%newpage
%%scale 0.8

X: 167
T:Garrett Barry's
N: page 54
N: hexatonic
R: Jig
M:6/8
L:1/8
K:Dmix
"D"DEF "G"G3|"C"AGE c2A|"D"dcA d2e|fed "C"cAG|\
"D"EFF "G"GFG|"C"AGA cde|"D"dcA "C"GEA|"D"~D3 D2::
A|"D"dcA d2 e|fed "C"ege|"D"dcA "C"c2 d|ege dcA|\
"D"dcA d2 e|~f3 "C"~e3|"D"dcA "C"GEA|"D"~D3 D2:|


X: 168
T: Gold Ring, The
N: page 54
N: heptatonic
M:6/8
Z:Boston.  This is one of the "big" jigs for the uilleann pipes.
Z:(Not so bad on a fiddle either, it's just that it goes so well 
Z:on the pipes with all those D crans.) If it's a standard in a session, there 
Z:are probably pipers around. Seamus Ennis used to tell the story of 
Z:its origin: it was originally learned from the fairies. 
R:jig
K:G
d|"G"BAG "D"A2d|cAG "G"~G3|BAG "D"A2d|cDE ~F3|\
"G"BAG "D"A2d|cAG "G"~G3|gbg "D"afd|cAF "G"G2:|
A|"G"~B3 Bdc|"D"~A3 dcA|"G"~G3 GFG|AdB BAG|\
~B3 Bdc|"D"~A3 A2G|FDE F2d|cAF "G"G2:|
g|"D"fdd edd|fdd edd|fdd edd|cAF "G"G2g|\
"D"fdd edd|fdd edd|(4.f.gag fed|cAF "G"G2:|
d|"G"~g3 "D"f2d|cAG "G"GBd|~g3 "D"f2 d|"C"cDE "D"~F3|\
"G"~g3 "D"fad|"G"~g3 "D"fad|"G"gbg "D"afd|cAF "G"G2:|
E|"G"DBB DBB|"D"DAA DAA|"G"~G3 GBd|"Am"cAG "D"FGA|\
"G"DBB DBB|"D"DAA DAA|"G"~G3 GBd|"D"cAF "G"G2:|
A|"G"~B3 ~D3|"D"~A3 ~D3 |"G"~G3 GBd|"Am"cAG "D"FGA|\
"G"~B3 ~D3|"D"~A3 ~D3|"G"~G3 GBd|"D"cAF "G"G2:|
A|"G"B2G "D"A2G|"G"d2 G G2A|B2G "D"A2G|cAG FGA|\
"G"BAG "D"AGF|"C"GFE "D"FGA|(4.f.gag fed|cAF "G"G2:|

%%newpage

X: 169
T:Fainne Oir Ort
T:Gold Ring, The
N: page 55
N: hexatonic
M:6/8
Z:There are two unrelated tunes called the Gold Ring, so we gave the Irish
Z:name here.  Really for a fiddle, but it can be faked quite well on other 
Z:instruments. (Not really that widely known--introduce it to _your_
Z:session.)  From Ceol Rince na hEireann.
R:jig
K:D
B,|"D"DA,A, DFA|dfd "A"edA|"G"BdB "D"AFD|"A"EDE "D"FDB,|\
"A7"A,G,A, "D"DFA|dfd "A7"edA|"G"BdB "A"AFE|"D"FDD D2:|
B|"D"AFA dfa|"G"bgb "D"afd|"G"gag "D"faf|"A"ede "D"fdB|\
AFA dfa|"G"bgb "D"afd|"G"BdB "D"AFA|Bdd d2:|
e|"D"dFF "A"AFE|"D"DFE DFA|dfd "A"ede|fdB "G"BAB|\
"D"dFF "A"AFE|"D"DFE DFA|dfd "A"ede|"D"fdd d2:|
B|"A"AFA "D"dfd|"G"BAB "D"dAF|DEF "A"EDE|FDB, "G"B,BA|\
"D"AFA dfd|"G"BAB dAF|"D"DEF "A"EDE|FDD D2:|


X: 170
T:Top of the Cork Road, The
T:Father O'Flynn
N: page 55
N: heptatonic
N: matches 27
Z:Another very widely known tune.
R:jig
L:1/8
M:6/8
K:D
A|"D"dAF DFA|"D"ded "A7"cBA|"D"dcd "A"efg|"Bm"fdf "A7"ecA|\
"D"dAF DFA|"D"ded "A"cBA|"Bm"dcd "A7"efg|"D"fdc d2:|
g|"D"fdf fga|"A"ecA ABc|"Bm"dcd "E7"Bed|"A7"cAA "D7"A2c|\
"G"BGB Bcd|"D"AFD DFA|"D"dcd "A7"efg|"D"fdc d2:|


X: 171
T:Sixpenny Money
N: page 55
N: hexatonic
M:6/8
R:jig
K:Dmix
"D"fAA fAA|"G"BAG "Am"FGE|"D" ~D3 "D"AFA|"D"dfd "Am"e2d|\
"D"fAA fAA|"G"BAG FGE|"D" ~D3 AFA|dfd "Em"e2d:|
"D"~f3 "G"gfg|"D"afd edd|fef "G"gfg|"D"afd "Am"e2d|\
"D"~f3 "G"~g3|"D"afd "G"edB|"Am"ABA AFA|"D"dfd e2d:|



X: 172
T:Old Hag in the Kiln, The
T:Dinny Delaney's
N: page 56
N: hexatonic
R: Slide
M:12/8
Z: Note the second part is also played as the fourth part.
E:10
K:DMix
"Am"A2D ~D3 A2G EFG|A2D ~D3 "G"G2A GED|"Am"A2D ~D3 c2de2d|dcA AGE "G"G2A GED:|
"Am"dcA AGE c3 ABc|dcA AGE "G"G2A GED|"Am"dcA AGE c2de2d|dcA AGE "G"G2A GED:|
"Am"A2 D~D3 A2B "G"G2B|"Am"A2B G2A E2G EDD|A2D~D3 c2d e2d|dcA AGE "G"G2A GED:|
"Am"dcA AGE c3 ABc|dcA AGE "G"G2A GED|"Am"dcA AGE c2d e2d|dcA AGE "G"G2A GED:|





X: 173
T:Dingle Regatta, The
N: page 56
N: heptatonic
N: matches 40
M:12/8
E:12
Z:Boston
R:slide
K:G
"G"d^cd e2 d BAB d2 B|"D"~A3 AGA "G"B2A G2 z|d^cd e2 d BAB d2B|"D"~A3 B2A "G" G3 z2 z:|
"D"d2d def "G"~g3 gfg|"D"~a3 aga "G"b2a gfe|"D"d^cd def "G" ~g3 g2 b|a2g f2e def "G"g3:|
"G".g2 z .d2z BdB G3|"D"~A3 DEF "G"G2 B d2 z|.g2 z .d2z BdB G3|"D"~A3 DEF G2 B "G"G2 z:|

%%newpage

X: 174
T:Kathleen Hehir's Slide
N: page 57
N: heptatonic
Z:from the playing of de Danann
M:12/8
R:slide
K:D
A|"D"dcd e2d "A"c2E EFG|"G"~B3 BAG "D"F2D DFA|dcd e2d "A"c2E EFG|ABA GFE "D"D3 z2:|
E|"D"F2A ded "A"c2B "G"G3|"A"ABA "G"G2E "D"B2A F3|DFA ded "A"c2B "G"G3|"A"EFG ABc "D"d3 z2:|
A|"D"ded d2e f2d "A"A3|"D"fgf fed "A"c2d ecA|"D"ded d2e f2d "A"A2F|EFG ABc "D"d3 z2:|
f|"D"a2f f2d Adf agf|"G"g2e "A"e2c "G"Bcd efg|"D"a2f f2d Adf agf|"A"gec ABc "D"d3 z2:|


X: 175
T:Denis Murphy's Slide
N: page 57
N: hexatonic
S:Trad, arr Phil Rowe
Z:Boston
Z: From the playing of Padraig O'Keefe
R:slide
M:12/8
K:D
DB|"D"A2D FED F2A A2f|"G"gfe "D"fed "Em"e2d "A"B2d|\
"D"A2D FED "D"F2A A2f|"D"a2f "A"e2f "D"d3 d2:|
A|"D"d2e f2a a2f "D"fef|"G"g3 "D"faf "Em"e2d "A"BAB|\
"D"d2e f2f "G"gfe "D"f2f| "D"a2f "A"e2f "D"d3 d2A|
"D"d2e f2f gfe "D"f2f|"G"gfe "D"fed "Em"e2d "A"BAB|\
"D"d2e f2f "G"gfe "D"f2f| "D"a2f "A"e2f "D"d3 d2|


X: 176
T: Merrily Kiss the Quaker's Wife
T: Merrily Dance the Quaker
N: page 57
N: hexatonic
N: matches 10
Z: Boston
R: slide
M: 6/8
L: 1/8
K: G
|: D | "G"GAB D2B | "C"c2A BGE | "G"GAB DEG | "D"~A3 A2D \
     | "G"GAB D2B | "C"c2A BGE | "G"GAB D2E | "G"G3 G2 :|
|: c | "G"BGG AGG | BGG "C"AGE | "G"GAB DEG | "D"A3 AGA \
     | "G"BGG AGG | BGG "C"AGE | "G"GAB D2E | "G"G3 G2 :|
|:d  | "G"~g3 "D7"aga | "G"bge dBd| ~g3 gab | "D"~a3  aba \
     | "C"gag "D7"faf | "C"ege "D7"dBA | "G"GAB D2E | "G"G3  G2 :|

%%newpage
%*************************** SLIP JIGS ******************************
%%scale 0.7

X: 177
T:The Foxhunter's Jig
N: page 58
N: heptatonic
M:9/8
L:1/8
S:THSP
R:slip jig
K:D
"D"FDF F2D "G"G2E | "D"FDF F2D "A"E2D |\
"D"FDF F2D "G"G2B | "D"AFD DEF "A"E2D :|
|: "Bm"~B3 BAG "A"FGA | "G"B2E E2F G2B |\
"D"ABc dcB "A"ABc | "D"d2D D2F E2D :|
|: "D"fgf f2d "G"g2e | "D"fgf f2d "A"e2d |\
"D"fgf f2d "G"g2b | "D"afd def "A"e2d ::
"Bm"gfe dcB "A"AGF | "G"B2E E2F G2B|\
"D"ABc dcB "A"ABc | "D"d2D DEF E2D :||

X: 178
T: The Butterfly
N: page 58
N: heptatonic
N: matches 36
N: (Tommy Potts)
R: slipjig
Z: 1997 by John Chambers <jc:trillian.mit.edu>
N: Commonly ends with the first bar as a coda.
N: Although this tune is often attributed to Tommy Potts, he wrote at most the first part.
N: The other parts are variants of the old tunes Barney's Goat and Skin the Peeler.
D: Bothy Band: 1975
M: 9/8
L: 1/8
K: Bmin
|: "Em"B2E G2E "D"F3 | "Em"B2E G2E "D"FED | "Em"B2E G2E "D"F3 | "G"B2d d2B "D"AFD :|
|: "Em"B2=c e2f g3 | B2d g2e "D"dBA | "Em"B2=c e2f g2a | "G"b2a g2e "D"dBA :|
|: "Em"B2B B2A G2A | B3 BAB "D"dBA | "Em"~B3 B2A G2A | "G"B2d g2e "D"dBA :|


X: 179
T:The Kid on the Mountain
N: page 58
N: hexatonic
N: matches 35
Z:O'Neill's has a sixth part that I've never heard played. 
R:Slip Jig
A:Ireland
M:9/8
K:Emin
"Em"~E3 FEF ~G3|~E3 c2A BGE|EDE FEF G2A|"D"BAG FAG FED:|
|:"G"BGB "D"AFA "G"G2D|GAB dge "D"dBA|"G"BGB "D"AFA "G"G2A|"Em"BAG "D"FAG FED:|
|:"Em"egg eBB e2f|~g3 efg "D"afd|"Em"egg eBB ega|"G"bag "D"fag fed:|
|:"Em"eBB e2f ~g3|eBB efg "D"afd|"Em"eBB e2f g2a|"G"bag "D"fag fed:|
|:"G"edB "D"dBA "G"G2D|GAB dge "D"dBd|"G"edB "D"dBA "G"G2A|"Em"BAG "D"FAG FED:|
%********************************** REELS *****************************
%%scale 0.80


X: 180
T: The Maid Behind the Bar
T: The Green Mountain
N: page 59
N: heptatonic
M:C|
R:reel
Z:Vancouver, Boston
Z:In O'Neill's as the Green Mountain, with a bit different setting.
E:7
K:D
AG|"D"FAAB AFED|FAAB A2 de|"Bm"fBBA Bcde|"Bm"f2 gf "A"edBA|"D"FAAB AFED|
FAAB A2 de|"Bm"fBBA "G"BcdB|"A"AFEF "D"D3:| e|"D"fgag fdde|fdad fd d2|
"Em"efga beef|"A"gebe ge ~e2|"D"faaf bfaf|defd e2 de|"Bm"fBBA "G"BcdB|"A"AFEF "D"D3:|


X: 181
T:Miss McLeod's 
T:Mrs. MacLeod of Raasay
N: page 59
N: heptatonic
M:C|
R:reel
Z:Probably _the_ best-known reel.  Also an American fiddle 
Z:tune (Hop High Ladies)
Z:According to O'Neill, it was the _only_ reel known in certain parts of
Z:Ireland around the turn of the century. 
E:7
K:G
BA|:"G"G2 BG dGBG|B2 BA BcBA|G2 BG dGBG|"D"A2 AG AcBA|"G"G2 BG dGBG|
B2 BA ~B3 d|"C"efed Bdef|"D"gedB AcBA:: "G"G2 gf edeg|B2 BA BcBA|G2 gf edeg|
"D"A2 AG AcBA|"G"G2 gf edeg|B2 BA ~B3 d|"C"efed Bdef|"D"gedB AcBA:|


X: 182
T:Merry Blacksmith, The
N: page 59
N: hexatonic
M:C|
R:reel
Z:Vancouver
E:7
K:D
AB|"D"d2 dA BAFA|ABdA BAFA|ABde "Bm" fded|"Em"Beed "A7"egfe|"D"d2 dA BAFA|
~A2 FA BAFA|"G"ABde "A7"fedB|"D"AFEF D2:| fg|"D"a2 ag ~f3 e|dedA BAFA|
ABde "Bm"f2ed|"Em"Beed "A7"efge|"D"abag fgfe|d3 A BAFA|"G"ABde "A7"fedB|"D"AFEF D2:|

%%newpage
%%vskip 1cm 
%%center "The Star of Munster" is setting beneath Bluehill on Page 67
%%vskip 1cm 

X: 184
T:Drowsy Maggie
N: page 60
N: heptatonic
M:C|
E:7
R:reel
K:Edor
"Em"~E2 BE dEBE|~E2BE "D"AFDF|"Em"~E2 BE dEBE|"G"BABc "D"dAFD|"Em"~E2 BE dEBE|
~E2BE "D"AFDF|"Em"~E2 BE dEBE|"G"BABc "D"dAFA||\
 "D"d2 fd "A7"c2 ec|"D"defg afge|d2 fd "A7"c2 ec|
"G"BABc "D"dAFA|"D"d2 fd "A7"c2 ec|"D"defg afge|afge fdec|"G"BABc "D"dAFD||


X: 185
T:Saint Anne's Reel
N: page 60
N: heptatonic
M:C|
Z:Originally French Canadian, now firmly adopted in Ireland. Madison.
E:7
R:reel
K:D
de|"D"fedf edcB|A2 FA DAFA|"G"B2GB EBGB|"D"A2 FA DAFA|"D"fedf edcB|
A2 FA DAFA|"G"BGBd "A"cAce|"D"d2 dc d2::\
 ag|"D"fdfa fdfa|"G"aggf~g3f|"A"edcB Acea|
"D"baa^g a3=g|"Bm"fdfa fdfa|"G"aggf~g3f|"A"edcB Acec|"D"dedc d2:|


X: 186
T:Silver Spear, The
N: page 60
N: heptatonic
N: matches 70
M:C|
E:7
Z:Boston
R:reel
K:Amix
"D"FA ~A2 BAFA|dfed "Bm"Bcd2|"D"FA ~A2 BAFA|\
dfed "Bm"B2 A2|"D"FA ~A2 BAFA|dfed "Bm"Bcdf|
"Em"~g3 e "D"~f3 e|dfed "Bm"B2 A2:|\
"D"faaf bfaf|"Em"gfed "Bm"Bcde|"D"faaf bfaf|
"Em"gfed "Bm"B2 A2|"D"faaf bfaf|\
"Em"gfed "Bm"Bcde|"Em"~g3 e"D"~f3 e|dfed "Bm"B2 A2:|

%%newpage

X: 187
T:Cooley's
N: page 61
N: heptatonic
M:C|
E:7
Z:Boston 
R:reel
K:Edor
D|"Em"EBBA B2 EB|B2 AB dBAG|"D"(3FED AD BDAG|\
(3FED FA dAFD|"Em"EBBAB2 EB|
"C"B2 AB defg|"Am"afec dBAF|"D"DEFD "Em"E3:|\
gf|"Em"eB ~B2 efgf|eB ~B2 gedB|
"D"A2 FA DAFA|~A2 FA defg|"Em"eB~B2 efgf|\
"C"eB ~B2 defg|"Am"afec dBAF|"D"DEFD E2:|


X: 188
T:Pigeon on the Gate, The
N: page 61
N: heptatonic
M:C|
E:6.5
Z:Boston 
R:reel
K:Edor
dc|"Em"BE ~E2 BEdE|BE ~E2 dBAF|"D"D2 (3FED ADFE|\
DEFA BAFA|"Em"BE ~E2 BEdE|
BE ~E2 B2 AF|"D"D2 FA dfec|dBAF "Em"E2:|\
FA|Beed efed|(3Bcd ef gedB|
"D"Addc d3 B|A2 FE DEFA|"Em"Beed efed|(3Bcd ef g2 fg|af (3gfe fd ec|"D"dBAF "Em"E2:|


X: 189
T:Swinging on the Gate
N: page 61
N: heptatonic
N: matches 361
M:C|
R:reel
E:7
Z:From Bulmer and Sharpley.  Definitely a tune for the fiddles.
Z:Boston 
R:reel
K:D
FA|"D"d2AF D2 EF|"G"G2FG FDB,D|"D"A,DFA d2 cA|\
"G"(3Bcd ed "A"cABc|"D"dBAF~D2 EF|
"G"GEFD EDB,D|GE (3FED EDB,G,|"A"A,B,DE"D" D2:|\
FA|~d2 de faef|dcBA F2 ED|
"G"B,E ~E2 GFED|B,DEF GABc|"D"dcde (3fga ef|\
dcBA F2 EF|"G"(3GFE FD EDB,G,|A,B,"D"DE D2:|

%%newpage
X: 190
T:Galway Rambler, The
T:Walsh's Favorite
T:Wellington's
N: page 62
N: hexatonic
N: matches 1117
M:C|
E:7
Z:Boston.  From the playing of Paddy Canny and P.J. Hayes.   
R:reel
K:G
"G"G2 dG eGdG|G2dB "C"AGEF|"G"GFGA BABd|\
gedB "C"AGEF|"G"G2 dG eGdG|
G2dB "C"AGEF|"G"GFGA BABd|gedB "C"AGEF||\
"G"g2 bg agab|gabg agef|
g2 bg agab|gedB "C"AGED|"G"gabg gabg|\
gabg "C"a2 ga|"G"(3bag af gbaf|gedB "C"AGED||





X: 191
T:Sally Gardens, The
N: page 62
N: heptatonic
M:C|
E:7
Z:Boston 
R:reel
K:G
DE|"G"~G2 DG BAGB|dBeB dBAB|d2 (3Bcd eBdB|\
"C"AcBA GEDE|"G"~G2 DG BAGB|
"G"dBeB dBAB|d2 (3Bcd "C"efge|"G"dBAB G2:|\
Bc|dggf g2 dg| ~g2 bg aged|
"C"ea ~a2 a2 ea|~a2 bg ageg|"G"dggf g2 dg|\
 ~g2 bg ageg|d2 (3Bcd "C"efge|"G"dBAB G2:|


X: 192
T:Ships Are Sailing
N: page 62
N: heptatonic
M:C|
E:6.6
Z:Boston 
R:reel
K:G
"Em"Beed B^cdB|"D"AD (3FED AD (3FED|"Em"~E3 F GFGA|\
Beef gfed|Beed B^cdB|
"D"AD (3FED AD (3FED|"Em"~E3 F GFGA|"D"Beed "Em"e2||\
ef|"G"gfga bgeg|"D"fefg afdf|
"Em"~g3a bgeg|"D"~f3g e2 ef|"G"gfga bgeg|\
"D"fefg afdf|"G"~g2 bg "D" ~f2 af|"Em"edef g2||


X: 193
T:Sheehan's
T:Wellington's
N: page 63
N: hexatonic
Z:Boston 
M:C|
E:7
R:reel
K:G
"G"G2 BG DGBG|ABcA BG ~G2|"C"~A3 B cABG|\
"D"EAAG FADF|"G"G2 BG DGBG|cBAB cdef|
"C"gedB c2 Bc|"D"dBcA BG ~G2:|\
"G"g2 bg dgbg|gbag fade|"D"f2 af dfaf|
gbag fddf|"G"g2 bg dgbg|gbag fdef|\
"C"(3gfe dB c2 Bc|"D"dBcA BG ~G2:|


X: 194
T:Shaskeen, The
N: page 63
N: heptatonic
Z:Boston 
Z:There are several different versions of the second part
Z:floating around.
M:C|
E:7
R:reel
K:G
"G"DG ~G2 "D"ABcA|"G"d2ed  "D"cA ~A2|"G"~B3 "D"G~A3 F|"G"GBAG "D"FGEF|
"G"DG ~G2 "D"ABcA|"G"d2ed  "C"cA ~A2|"D"f2df edcA|AGFA "G"G3 z:|
"D"dggfg2 fg|abag fdde|f3d "G"g2 fg|"D"abag fd d2|
dggfg2 fg|abag fdde|~f3 d "C"~e3d|cAFA "G"G3 z |
"D"dggfg2 fg|abag fdde|f3d "G"g2 fg|"D"abag fddc|
"G"~B3 G "D"~A3F|"G"GBAG "D"FD D2|f2 df edcA|AGFA "G"G3 z||


X: 195
T:Wise Maid, The
T:Doherty's
N: page 64
N: heptatonic
N: matches 67
M:C|
C:Johnny Doherty
E:6.5
R:reel
K:D
"D"~F3 G "Bm"FEDE|"D"FAAB "A"AFED|"G"d2 "D"(3efg fdec|\
"Bm"dBAF "Em"BE ~E2|"D"~F3 G "Bm"FEDE|
"D"FAAB "A"AFED|"D"d2 (3efg "Bm"fdec|"G"dBAG "D"FD ~D2::\
"D"d z AG "Bm"FDFA|dfaf "A7"gfeg|"D"fAdf "A"eAce|
"Bm"dfed c"A"A~A2|"Em"BDGB "D"ADFA|\
dfaf "A7"gfed|"G"(3Bcd ce dBAG|"A"FAEA "D"D3 z:|


X: 196
T:Bank of Ireland, The
N: page 64
N: heptatonic
M:C|
Z:Boston
Z:You can slide into those leading C's
E:6.5
R:reel
K:DMix
AB|"C"c2 AB cBAG|"G"EGDG EGAB|"C"c2 AB cBAG|\
"D"Adde fded|"C"c2 AB cBAG|
"G"EGDG EGAB|"C"c3 d cBAG|"D"Add^c d2::\
K:D
e|"D"f2df "A"e3 c|"G"dfed "A"cA ~A2|
"D"f2df "A"gfed|"D"eaag ed d2|"Am"fg (3agf ef (3gfe|\
"D"dfed "C"cA~A2|"D"Addc defg|"A"af (3gfe "D" d3:|


X: 197
T:Sligo Maid, The
N: page 64
N: heptatonic
N: matches 80
M:C|
L:1/8
Z:Boston
E:7
R:reel
K:Amix
"Am"A2 BA (3Bcd ef|gedB AGEF|"G"~G2 BG dGBG|\
DEGA "Em"BAdB| "Am"A2 BA (3Bcd ef|
gedB AGEG|"G"B3G "Em"A2GE|"G"DEGA "Am"BA ~A2::\
"Am"eaag a2ga|bgab gfed|"G"eggf ~g3e|
dega bgag| "Am"eaag a2ga|bgab gfed|\
"G"eg~g2 edBc|dBgB "Am"BA ~A2:|


X: 198
T:Christmas Eve
T:Tommy Coen's
N: page 65
N: hexatonic
M:C|
E:7
C:Tommy Coen
Z:Boston
R:reel
K:G
GE|"G"D3 E G3 A|B2 dB ABGB|ABGE "D"~D3 E|"G"G2 BG ABGE|
"D"D3 E "G"~G3 A|B2 dB ABGA|"D"BA ~A2 "G"GEBG| ABGE G3:|
A|"G"BA (3Bcd edeg|agge g2 eg|"C"a2 "G"ge gage|dedB ABGA|
BA (3Bcd edeg|agge g2 eg|"C"a2 "G"ge d2 BG| ABGE G3:|
dc|BG ~G2 dGBd|eg ~g2 egdc|BG ~G2 dGBG|"C"EA ~A2 EA ~A2|
"G"BG ~G2 dGBd|eggf ~g3 a|bgag edBG|"D"ABGE G3:|


X: 199
T:Temperance Reel, The
T:Teetotaller's Reel, The
N: page 65
N: heptatonic
N: matches 86
M:C|
E:7
R:reel
K:G
D|"G"G2GF GABc|d2ge dBAc|"Em"BEED EFGA|\
"D"BGAF GFED|"G"~G3F GABc|
dBge dBAc|"Em"BEED EFGA|"D"BGAF "G"G3:|\
A|"Em"Beed e3g|fgaf gfed|
"D"Bdd^c d3 e|fgaf gfed|"Em"Beed ~e3 g|\
fgaf gfed|BEED EFGA|"D"BGAF "G" G3:|


X: 200
T:Junior Crehan's Favorite
T:Knotted Cord, The
N: page 66
N: hexatonic
M:C|
Z:From Liam O'Flynn
E:7
R:reel
K:Ador
"Am"~A3B AE ~E2|A2 (3Bcd edBA|"G"~G3 A GEDE|\
~G2 BG dGBG|"Am"~A3 B AE ~E2|
A2 (3Bcd edBA|"G"~G2 Bd efge|dBGA "Am"BA ~A2:|\
"Am"ea~a2 eaag|eaag aged|eg~g2 eggf|
"G"~g3 a geed|"Am"ea ~a2 eaag|eaag aged|\
"G"~B3 d gaba|gedB "Am"BA A2:|


X: 201
T:The Earl's Chair
N: page 66
N: heptatonic
R: Reel
M:C|
L:1/8
K:D
A|"G"B2 dB BAFA|B2 dB BAFB|"D"AF F2 DF F2|AFdB ADFA|"G"B3 d BAFA|
B2 dB BAFB|AFAB "Bm"dcdf|"A"edef "D"d3:|f|:"A"e3 f "D"d2 (3Bcd|"A"edef "D"dBAB|
"A"e3 f "D"d3 e|fedB ADFA|"A"e3 f "G"dB B2|\
gB B2 defg|"D"afbf afeg|fedB ADFA:|


X: 202
T:The Fermoy Lassies
R: Reel
N: page 66
N: heptatonic
M:C|
L:1/8
K:Emin
BA|:"Em"GE ~E2 BE ~E2|GE ~E2 BcBA|GE ~E2 BE ~E2|\
"D"AFDF AcBA|"Em"GE ~E2 BE ~E2|
GE E2 BcBA|"G"~G3 F GBdB|"D"AFDF AcBA::\
"G"G2 (3BAG dGBA|G2 Bd ef g2|~G3 B dGBG|
"D"AFDF AcBA|"G"G2 (3BAG dGBA|G2 Bd ef g2|\
"D"afge dedB|AFDF AcBA:|

%**************************** HORNPIPES ********************************


X: 203
T:Rights of Man, The
Z:Leo Rowsome's setting, from his uilleann pipe tutor.
N: page 67
N: heptatonic
N: matches 56
M:4/4
E:6.5
R:hornpipe
K:Emin
GA|"Em"BcAB GAFG|EFGA B2ef|gfed Bgfg|\
"Am"(3ege dB "B7"A2GA|"Em"BcAB GAFG|
EFGA B2ef|"Am"gfed "B7"BA (3Bcd|"Em"e2 E2 E2:|\
ga|"Em"babg efga|babg egfe|
"D" dAFA d^cdf|afdf a2 gf|"Em"edef "D"gfga |\
"G"(3bag af g2ef|"Am"gfed "B7"BA  (3Bcd|"Em"e2 E2 E2:|


X: 204
T:The Boys of Bluehill
N: page 67
N: heptatonic
N: matches 44
R:hornpipe
Z:Often followed by Harvest Home as a medley
M:4/4
L:1/8
K:D
FA|"D"BAFA D2FA|BA (3Bcd "A7"e2de|"D"faaf "G"egfe|\
"D"dfed "G"B2dA| "D"BAFA DAFA|
BA (3Bcd "A7"e2de|"D"faaf "A7"egfe|"D"d2d2 d2:|\
fg|"D"afdf a2gf|"A7"efga b2ag|"D"faaf "A7"egfe|
"D"dfed "G"B2dA| "D"BAFA D2FA|BA "A7"(3Bcd e2de|\
"D"faaf "A7"egfe|"D"d2d2 d2:|

X: 183
T:The Star of Munster
N: old page 60
N: heptatonic
P: (moved from page 60)
M:4/4
N: matches 79
A:Ireland
R:reel
K:Ador
ed|"Am"c2 Ac "G"BAGB|"Am"AGEF "G"GEDG|"Am"EAAG ABcd|\
"G"eaaf gedB| "Am"c2Ac "G"BAGB|
"Am"AGEF "G"GEDG|"Am"EAAG ABcd|"G"ecdB "Am"A2:| Bd|:"Am"eaab ageg|agbg agef|
"G"g3a gfef|(3gfe af gfed|"Am"eaab ageg|\
agbg agef|"G"~g3e ~a3g|~b3a gfed:|
%%newpage


X: 205
T:Harvest Home
N: page 68
N: heptatonic
N: matches 45
M:4/4
L:1/8
Z:Madison
R:hornpipe
K:D
AF|"D"DAFA DAFA|defe dcBA|"A"eAfA gAfA|\
"Em"(3efe (3dcB (3ABA (3GFE| "D"DAFA DAFA|
defe dcBA|"A7"eAfA gecA|"D"d2 f2 d2:|\
cd|"A7"eA ~A2 "D"fA ~A2|"A7"gAfA "D"eA ~A2|
"A"eAfA gAfA|"Em"(3efe (3dcB "A7"(3ABA (3GFE|\
"D"DAFA DAFA|defe dcBA|"A7"eAfA gecA|"D"d2 f2 d2:|


X: 206
T:Off to California
N: page 68
N: hexatonic
N: matches 57
M:4/4
R:hornpipe
Z:Boston sessions
K:G
(3DEF|"G"GFGB "D7"AGED|"G"GBdg "C"e2 "D7" (3def|"G"gfgd "Em"edBG|\
"Am" ABAG "D7" E2 (3DEF| "G"GFGB "D7"AGED|
"G"GBdg "C"e2 "D7" (3def| "G"gfgd "Em"edBG|"D7"(3ABA GF "G" G2::\
d|"Em"gfeg "D"fedf|"C"edef "G"edB2 |
"Em"(3def gd  edBG|"Am"ABAG "D7"E2 (3DEF|"G"GFGB "D7"AGED|\
"G"GBdg "C"e2 "D7"(3def|"G"gfgd "Em"edBG|"D7" (3ABA GF "G" G3:|


X: 207
T:Kitty's Wedding
N: page 68
N: hexatonic
M:4/4
N: matches 1033
R:hornpipe
Z:Boston sessions
R:hornpipe
E:6.5
K:D
fe|"D"d2 Bd A2 FA|BAFE DFED|B,DA,D DFBF|\
AFDF "A7"E2 fe| "D"d2 Bd A2 FA|
BAFA D2 ED|B,DA,D DFBF|"A7"AFEF "D" D2::\
fg|"D"afed bafd|Adfd edBA|
DFAd FAde|fdgf "A7"e2 fg|"D"afed bafd|\
Adfd edBA|"D"DFAd FAdf|"A7"eABc d2:|


X: 208
T:Home Ruler
N: page 69
N: heptatonic
N: matches 48
R:hornpipe
Z:Boston sessions
M:4/4
L:1/8
K:D
FE|"D"D2FA D2FA|dfed "G"BcdB|"D"A3B AFDE|\
FDED B,DA,B,|"D"D2FA D2FA|
dfed "G"BcdB|"D"A3B AFDE|F2D2 D2:|\
AB|"D"d3c defg|"D"af"G"bf "D"afed|
"Em"efed BA (3Bcd|"D"fded "A7"BdAB|"D"d3c defg|\
"D"af"G"bf "D"afed|"Em"efed BA (3dcB|"A7"AFEF "D"D2:|


X: 209
T:Plains of Boyle, The
N: page 69
N: heptatonic
M:4/4
R:hornpipe
E:7
K:D
FG|"D"AFDE FED2|(3ABA "G"GB "D"AFD2|fedf "A" edce|\
"G" dcAB "C"=cABG|"D"AFDE FED2|
(3ABA "G"GB "D"AFD2|fedc "A"(3ABc AG|"D"F2D2D2::\
fg|"D"afdf "G"g2 fe|"D"dfed BAF2|
(3ABA FA BAF2|(3ABA FA BAfg|afdf "G"g2 fe|\
"D"dfed BAF2|(3ABA AF "A" GEAG|"D"F2D2D2:|

%%newpage
%*********************************** POLKAS *****************************


X: 210
T:Ballydesmond Polka \#1, The
N: page 70
N: heptatonic
M:2/4
Z:All three of the Ballydesmond polkas are from playing of Denis Murphy and 
Z:Julia Clifford.  They are usually played as a set.
Z:Boston 
R:polka
E:13
K:Dmix
%Q:1/4=90
"Am"A3B A2G2|E2F2 "C"G2E2|"Am"A3B "C"A2G2|"Am"A2d2 "C"dedc|\
"Am"A3B A2G2|E2F2 "C"G4|"Am"A2B2 "C"c2E2|E2D2 "D"D4:|
"Am"A2d2 "D"d4|"C"e2d2 c4|e2d2 c2d2|e2a2 "Am"abag|\
"C"e2d2 c4|e2d2 c4|"Am"A3B c2d2|"C"e2f2g3f|
e2d2 c2d2|e2A2 c2d2|e3d c2d2|e2a2 abag|\
efg2 "D"d3B|"C"c2e2 "D"d3B|"Am"A2B2 c2E2|"D"E2D2 D4||





X: 211
T:Ballydesmond Polka \#2, The
T:Maurice Manley's
N: page 70
N: heptatonic
N: matches 116
Z:Boston
M:2/4
R:polka
E:13
K:Ador
%Q:1/4=60
"Am"E2A2 A2B2|c2d2 e2g2|"G"G3F G2A2|G2E2 E2D2|\
"Am"E2A2 A2B2|c2d2 e3f|"G"g2e2 dedB|"Am"A4 A4:|
"Am"a3g a2b2|a2g2 e2f2|"G"g3f g2a2|g2e2 d2e2|\
"Am"a3g a2b2|a2g2 e3f|"G"g2e2 dedB|"Am" A4 A4:|


X: 212
T:Ballydesmond Polka \#3, The
T:Tom Billy's
N: page 70
N: hexatonic
N: matches 117
Z:John B. Walsh
M:2/4
L:1/16
R:Polka
K:Ador
%Q:1/4=60
|:AB|"Am"c4 "G"B4|"Am"A2BA "G"G3A|B2d2e2d2|g6 z d|\
"Am"e2a2 gage|d2B2 G2AB|"G"c2e2 d2B2|[1"Am"A6:|[2 "Am"A8|:
"Am"e2a2 a2ag|"G"d2g2 g4|"Am"e2a2 a2b2|"G"g6 z d|\
"C"e2a2 gage|"G"d2B2 G2AB|"Am"c2e2 "Em"d2B2|"Am"A4 A4:|


X: 213
T:Spanish Lady
N: page 70
N: heptatonic
N: matches 109
Z:Boston
M:2/4
L:1/16
R:polka
K:Amix
%Q:1/4=60
AG|:"D"F2A2 A2Bc|d3c d2ef|"G"g2e2 "D" f2d2|"Em"B2A2 "A"ABAG|"D"F2A2 A2Bc|d3c d2ef|"Em"g2e2 "D"f2d2|"Em"B2A2 A4:|
"Bm"f2a2 abaf|"E"e2d2 d2e2|"Bm"f2a2 a3f|"E"e2d2 e4|"D"f2a2 abaf|"G"e2d2  d2ef|"A7"g2e2 "D"f2d2|"G"B2A2 "A7"A4:|


X: 214
T:Charlie Harris' Polka
N: page 71
N: pentatonic
N: matches 117
M:2/4
Z:From the playing of Kevin Burke.  This is a polka version of 
Z:Charlie Harris' Reel.  Madison 
R:polka
K:D
Q:1/4=60
"D"d3B|A2F2 D2F2|E2F2 D2F2|"A7"A2F2 A2B2|\
e4 "D" d3B|A2F2 D2F2|E2F2 D2F2|"A7"A2F2 A2B2|"D"d4:|
A2|"D"d4 f2d2|e2f2 d2B2|"A7"A2F2 A2B2|e4 d2A2|\
[1"D"d4 f2d2|e2f2 d2B2|"A7"A2F2 A2B2|"D"d6 :|\
[2"D"d2f2 fefg|a2f2 f3f|"A7"a2f2 e2f2|"D"d6||


X: 215
T:Maggie in the Woods
N: page 71
N: hexatonic
N: matches 114
M:2/4
Z:There are some slightly rowdy lyrics on one of the 
Z:early Chieftains albums. Madison, Vancouver
E:10
R:polka
K:G
Q:1/4=60
BA|"G"G2D2 G2A2|"Em"B2e2 efge|"G"d2B2 BAGA|"D"B2A2 AcBA|\
"G" G2D2 G2A2|"Em"B2e2 efge|"G"d2B2 "D"A2BA|"G"G4 G2:|
d2|g3f "C"e2d2|"D"e2f2 "G"g3e| d2B2 BAGA|"D"B2A2 A3d|"G"g3f e2d2|\
"D"e2f2 "G"g3e|d2B2 "D"A2B2|"G"G4 G2:|


X: 216
T:Denis Murphy's Polka
N: page 71
N: heptatonic
N: matches 108
M:2/4
E:10
R:polka
K:D
Q:1/4=60
"D"fgfe d3B|A2D2 F2A2|"G7"G2E2 e3d|c2B2 B2A2|\
"D"fgfe d3B|A2D2 F2A2|"G7"G2E2 e3f|"D"e2d2  d3:|
B|"D"A2f2 fef2|A2g2 gfg2|A2f2 fef2|"G7"efed B2A2 |"D"A2f2 fef2|A2g2 g3a|"G7"b2a2 g2c2|"D"e2d2 d3:|

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